The music of Sofia Sarri is personal, pagan and magical. A universe where uncompromised resolutions are welcome allowing the Cretan lyra, a distinct folk instrument from the mountains of her home island Crete, to feel at ease when placed together with the analog synth, the vibraphone and some wicked double bass drumming.

“Every track has a story to tell” says Sofia, “a sacred bind to nature, as if a totem lies in the spirit of every song”. The moon, the cuckoo, the wolf and the strings alongside with electronic micro beats seem to merge perfectly with Sofia’s both delicate and powerful vocals, manifesting the omnipotence of nature.

This time the urge was to set and meticulously narrate the musical paths that she had so far explored. To handle her voice as an equal instrument among other instruments and belt out her mystical parallel universe. She is experimenting with both traditional forms and the contemporary while sticking to her generation’s fusion of massive sonic and music information.

Labelling Sofia’s music can be tricky: avant rock with a pinch of Scandinavian black metal, urban ambient, dark-hop…The moment you are about to categorise her she manages to slip away. As it is expected from an artist who’s influences spread out all around the world of sounds, manifested by the higher and innermost need of everything human: communication.

This time the urge was to set and meticulously narrate the musical paths that she had so far explored. To handle her voice as an equal instrument among other instruments and belt out her mystical parallel universe.